"Death in Slow Motion/The Riddler's False Notion"

Aired April 27/28, 1966

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The Riddler returns to Gotham and confounds Batman and Robin with a new string of riddles.  While the Dynamic Duo race about in response to the riddles, the Prince of Puzzlers is filming the entire thing.  What is his ultimate plan?  What is the purpose of the film?  Will Batman figure it out or misinterpret the clues?

 

Joining John to talk about Frank Gorshin's last first season turn as The Riddler is author Robert Greenberger.

 

Comment on the episode here or write thebatcavepodcast@gmail.com

Get your copy of Bob's Essential Batman Encyclopedia by clicking the image above and shopping on Amazon.

Robert Greenberger (born July 24, 1958) is a writer and editor.

Greenberger was born in Brooklyn in New York City, the son of Edwin L. Greenberger and Joan Greenberger. A lifelong fan of comic books, comic strips, science fiction and Star Trek, he drifted towards writing and editing, encouraged by his father and inspired by Superman’s alter ego, Clark Kent.

While at SUNY-Binghamton, Greenberger wrote and edited for the college newspaper, Pipe Dream, moving from general assignment writer to Arts Editor, Managing Editor and ultimately Editor-in-Chief.  He served an internship at Gannett’s Binghamton Sun-Bulletin as a feature writer and reviewer.

 

Upon graduation, he worked for Starlog Press as Managing Editor ofFangoria.  He was also an Associate Editor for Starlog and while there, created Comics Scene, the first nationally distributed magazine to focus on comic books, comic strips and animation.  The magazine lasted 11 issues before its first cancellation at which time Greenberger went to work on their sports magazines.

 

In 1984, he joined DC Comics as an Assistant Editor, working with Len Wein and Marv Wolfman on DC’s Golden Anniversary projects Who’s WhoandCrisis on Infinite Earths.  He went on to act as assistant editor to numerous titles for each editor until he was promoted to editor.  During his tenure, his titles included Star Trek, Suicide Squad, Warlord, Doom Patrol, Lois Lane, Action Comics Weekly, Time Masters, Secret Origins, The Hacker Files and others.

 

By 1990, he had given up editing to become the company’s Editorial Coordinator, helping grow the Editorial Administration department.  When he left the company, he was Manager-Editorial Operations.

In March 2000, he left DC to become a Producer for Gist Communications, television news and listings web site. After ten months there, he learned some new skills and got out before the dotcom bubble burst.

In January 2001, he joined Marvel Comics as Director-Publishing Operations.  During his year with the company, he oversaw editorial schedules, Production, Manufacturing, the Print Library, and other departments.

 

In January 2002, he left Marvel and rejoined DC in May 2002 as a Senior Editor-Collected Editions.  He helped grow that department, introducing new formats and improving the editions’ editorial content. He also managed DC’s ElfQuest publishing program.

He left DC in January 2006, becoming a freelance writer and editor.  His clients included Weekly World News, Platinum Studios, scifi.com, DC and Marvel. By June, he was offered the post of Managing Editor at Weekly World News where he helped transition the newspaper from being produced jointly in Florida and New York to just NYC.

When the paper folded in August 2007, he resumed his freelance career which continues to this date.  Along the way, he helped revitalize Famous Monsters of Filmland and served as News Editor at ComicMix from August through December 2008.

 

He is a member of the Science Fiction Writers of America and theInternational Association of Media Tie-In Writers.  He served on the final Nebula Short Fiction Jury.

 

Detective 341

Detective 341

Splash Page

Splash Page

The final adapted story of the first season is for the Riddler, but comes from a Joker story in which the Joker dresses as classic comedy stars in Detective Comics #341.

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